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(Hi)stories

Using pictures to tell a story? This technique has a long tradition in art history! Contemporary artists also tell stories in their works. Which historical or fictional events, myths, literary texts, or indeed personal stories are processed in artworks? And can materials also reveal or conceal stories?

Do you sometimes wish for a different ending?

There are countless ways to tell the same story using different images. Historical events, myths, fairy tales, cultural history—they all accompany us throughout our lives. They tell stories and history, often in different ways. Can you think of an historical event that you believe was crucial to your life today? Would you dare to illustrate it? What would you put in the foreground? Does your imagination sometimes continue your favorite stories, or even alter them?

Artwork Factory

Artwork Lucy McKenzie, Rebecca, 2019

A painted mannequin is at the center of this picture. She is placed in an interior full of specially-designed objects. Marble, wooden and silky materials. A book about the dramatic staging of fashion. And a map of Glasgow, Lucy McKenzie’s birthplace, which is hung as wallpaper.

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Artist Cy Twombly

was born in Lexington, Virginia, USA, in 1928 and died in Rome in 2011.

Creative project Factory

Creative project Painted (hi)stories

Tell a story in pictures.

Which stories remain particularly vivid?

When someone tells a story, it doesn’t necessarily need to be important for many people, or remembered for a long time. Personal stories based on one’s own experiences, or pretending to be, often have greater effectiveness or reach. They touch us more, arouse more empathy and compassion in us. Sometimes we can identify with them. Some open our eyes to social structures and inequalities, to the perspectives of others.

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Artist Nicole Eisenman

was born in Verdun, France, in 1965. They live and work in Brooklyn.

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Artwork Arthur Jafa, Monster, 1988/2019

Arthur Jafa points the camera directly at his mirror image. He stares at us with his penetrating gaze. The artist developed the photo at human scale, thus confronting the self-portrait even more directly with the person viewing it. What is notable for his photography is his work on developing sensitive techniques for representing black and dark tones on film. Throughout the image, black and white flow into one another.

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Artist Arthur Jafa

was born in Tupelo, Mississippi, USA, in 1960.

Who is telling what to whom? And how?

When stories are told about others, storytellers have a lot of power. As storytellers, we influence the perception of the listeners or viewers. Some artworks from the Brandhorst Collection deal with the way history and stories are told in the media. Do they belong there? Have you noticed the kind of languages and images that keep popping up in the news or on social media?

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Artwork Lucy McKenzie, Rebecca, 2019

A painted mannequin is at the center of this picture. She is placed in an interior full of specially-designed objects. Marble, wooden and silky materials. A book about the dramatic staging of fashion. And a map of Glasgow, Lucy McKenzie’s birthplace, which is hung as wallpaper.

Artwork Factory

Artwork Andy Warhol, Ladies and Gentlemen (Wilhelmina Ross), 1975

The work on paper is composed of several layers of images: the print based on a portrait photo, a transparency, colored paper and tape. Andy Warhol assembles the portrait of an unknown person using a so-called collage technique. The figure looks at us with captivating eyes in a strong pose.

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Artwork Andy Warhol, Triple Elvis, 1963

The photo of the singer Elvis Presley in the role of a gangster is the basis for this work. Andy Warhol repeated the same motif three times on a silver canvas. This repetition was made possible by the silkscreen technique, in which Andy Warhol saw many advantages for his artistic work. The pale figure of Elvis stands out against the metallic background as if in an old film or fog.

Does history tell us more about past events or about ourselves?

Historiography wants to record the past as accurately as possible. But history can also tell or contain made-up things. Therefore, there is often no such thing as one, single history. It is not uncommon for fantasies and actual events to be mixed. There are often large gaps in our knowledge about past times and the history changes with this knowledge. Or even depending on who is examining and narrating it, and what goals that person has. That is even more the case with social or personal events. Is it possible, therefore, to speak of a true story or history, or does it necessarily depend on the voice that tells it? What artistic techniques do artists use to tell a story?

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Artwork Cy Twombly, Lepanto Cycle, 2001

The “Lepanto” cycle is one of Cy Twombly’s major works and consists of twelve paintings that are exhibited permanently in a separate room at Museum Brandhorst. Vibrant hues in a broad palette of yellows, reds, turquoise and aquamarine define the drama of the monumental paintings. The action on the canvases intensifies, all the artist’s painting tools and painterly gestures are used expressively.

Artwork Factory

Artwork Lucy McKenzie, Rebecca, 2019

A painted mannequin is at the center of this picture. She is placed in an interior full of specially-designed objects. Marble, wooden and silky materials. A book about the dramatic staging of fashion. And a map of Glasgow, Lucy McKenzie’s birthplace, which is hung as wallpaper.

Artwork Factory

Artwork Andy Warhol, One Dollar Bill (Front), 1962

Andy Warhol’s first silkscreens, made in early 1962, took the front and back sides of one- and two-dollar bills as their motif. In this version, the artist prints the front of a one-dollar bill he drew himself onto the canvas. He colors the background green with diluted watercolor, and stains the main motif with blood-red paint.