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Spot On Roni Horn. You Are the Weather

5. November 2024 bis 25. Januar 2026

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Ausstellung Confrontations. Gegenüberstellungen aus der Sammlung

23. Oktober 2025 bis 27. September 2026

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Ausstellung Long Story Short. Eine Kunstgeschichte aus der Sammlung Brandhorst von den 1960er-Jahren bis zur Gegenwart

23. Oktober 2025 bis 31. Januar 2027

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Dauerausstellung Cy Twombly im Museum Brandhorst

Seit 1. Juni 2009

Info

The sculpture Red Dog by Keith Haring stands in front of the entrance to Museum Brandhorst

Keith Haring

Red Dog, 1986/89

Übersetzter TitelRoter Hund
MaterialLackierter Stahl
Maße280 x 306 x 372 cm
Erwerbsjahr2007
InventarnummerUAB 131
AusgestelltAktuell ausgestellt
Copyright© The Keith Haring Foundation. Foto: Haydar Koyupinar, Bayerische Staatsgemäldesammlungen, Museum Brandhorst, München

Weitere Werke

Portrait photography of Black person against turquoise background with plastic bag pulled over her head and holding it tightly. — Pope.L Foraging (asphyxia version), 1993–1995/2008

Screen print after a portrait of Wilhelmina Ross. The painting is characterized by the impasto application of paint, into which Warhol sometimes worked by hand to underline or trace contours. — Andy Warhol Ladies and Gentlemen (Wilhelmina Ross), 1975

Portrait of Alphanso Panell in silkscreen technique on a green background. — Andy Warhol Ladies and Gentlemen (Alphanso Panell), 1975

Portrait of a person with glasses drawn with black lines, underneath signature by Keith Haring 89 — Keith Haring Untitled (Self-Portrait), 1989

Cy Twombly Untitled, 2003UAB 482 — Cy Twombly Untitled, 2003

Dramatic painting by Cy Twombly in shades of yellows, reds, turquoise and aquamarine. The painting is part of the twelve-part Lepanto cycle. — Cy Twombly Lepanto X, 2001

Installation of several narrow shelves with bottles and stuffed animals — Pope.L Party Room, 2001

Andy Warhol, Hammer and Sickle, 1976 — Andy Warhol Still Life (Hammer and Sickle), 1976

Screen print after a portrait photograph of a woman. The painting is characterized by bright, impasto colors, some of which Warhol worked into by hand in order to emphasize or trace contours. — Andy Warhol Ladies and Gentlemen (Lurdes), 1975