Skip to main content
Info
In the Cosmos

Courtney Harmel & Tom RubnitzSparkling and Wild: ’80s New York in Film

until
Filmstill mit zwei Personen in glitzerndem Disco Outfit aus dem Film Wigstock: The Movie, 1987

“Sparkling and Wild” presents selected video works by artists Courtney Harmel and Tom Rubnitz from the 1980s. Immersing visitors in queer nightlife, performance art, and friendship in New York’s East Village, the works feature footage of Keith Haring’s “Party of Life,” downtown icons like John Sex, and the drag and trans scene surrounding Wigstock. They portray a creative community shaped by TV obsessions, consume, clubbing, and artistic activism. A cooperation with MUNICH INTERNATIONAL FILM FESTIVAL, presented in the context of the exhibition “Andy Warhol & Keith Haring. Party of Life.”

Info

Period

until

Location

Lower level

Curated by

Franziska Linhardt

Courtney Harmel was a key player in New York’s video scene in the mid-1980s. Her work captures the performance culture and nightclub events of downtown New York: from Keith Haring’s legendary “Party of Life” birthday celebrations in the Paradise Garage to signing sessions for Andy Warhol’s “Interview” magazine, along with video productions created for the display windows of the iconic Fiorucci store. Harmel also filmed the spontaneous improvisations for the movie and stage show “Andy & Edie” (1984), in which Warhol and his superstar protégée Edie Sedgwick are played by the performance artists Joey Arias and Ann Magnuson—both were part of the Club 57 network surrounding Haring as a young artist.

The works by the film and video artist Tom Rubnitz present the downtown scene in all its facets with quirky humor and psychedelic colors: videos such as “Made for TV” (1984) play with the look of television programs and bear witness to the celebration and parody of mass media and pop culture. Backstage shots at the Pyramid Club and documentaries about East Village characters such as the cabaret star John Sex reflect a glittering and wild queer community of the time. Also on display is Rubnitz’s “Wigstock: The Movie” (1987), the first documentary film about the Wigstock Festival, which was a key antecedent for the introduction of drag performance into the mainstream. Rubnitz’s promotional film for the “Summer of Love” project was created in 1990 for the Foundation for AIDS Research, uniting many figures from the scene under an “Art Against AIDS” banner. It commemorates the numerous losses (Rubnitz himself died from an AIDS-related illness in 1992) and also signals the activism and commitment that prevailed in art, for which Haring also stood.

Ein Filmstill mit Edie Sedgwick und Andy Warhol aus Courtney Hamels 'Andy & Edie' (1984)

Uptown, Midtown, Downtown

The MUNICH INTERNATIONAL FILM FESTIVAL film program takes us on a journey through Uptown, Midtown, and Downtown New York in parallel screenings across Munich cinemas: “Wild Style” (1982), universally considered the preeminent hip-hop movie, showcases the world of graffiti, breakdancing, rap, and turntablism, while “Variety” (1983) concerns itself with female voyeurism amid peep shows and adult movie theaters on Manhattan’s Times Square. “Downtown 81” (1981/2000) follows the renowned artist Jean-Michel Basquiat, still unknown at the time, around the pre-gentrified Lower East Side with all its unique characters and locations.

WILD STYLE

Mit dem aufstrebenden Graffiti-Künstler Raymond aka Zoro geht es in die südliche Bronx der 80er. Vor heruntergekommenen Kulissen zwischen Streetball und MC-Battle trifft dort die Downtown-Kunstwelt auf die Uptown-Graffitikultur. Dieser weltweit gefeierte Hip-Hop-Film ist ein kultiges Zeitporträt, das Hip-Hop, B-Boys und Graffitikunst ehrt. Mit einer All-Star-Besetzung aus Lee Quiñones, Lady Pink, Fab 5 Freddy, Patti Astor, Busy Bee, Grandmaster Flash, und vielen mehr.

VARIETY

Christine braucht Geld. Dringend. Also nimmt sie eine Stelle an der Kasse eines Pornokinos an. Dort trifft sie auf Louis, der regelmäßig ins Kino geht. Geradezu obsessiv versucht sie, mehr über ihn zu erfahren. Das Drehbuch stammt von der Punkschriftstellerin Kathy Acker, die Musik von John Lurie und Fotografin Nan Goldin spielt eine Gastrolle. Feministischer Klassiker des US-amerikanischen Undergroundfilms zwischen Geheimnissen und Voyeurismus. USA 1983 | Regie: Bette Gordon

Der Künstler Jean-Michel Basquiat sprüht ein Graffiti auf eine Hauswand in New York

DOWNTOWN 81

In dem lange verschollenen Film spielt der damals noch unbekannte Jean-Michel Basquiat sich selbst. Einen Tag lang begleiten die Filmemacher Edo Bertoglio und Glenn O’Brien den damals 21-jährigen Künstler: Er muss Geld auftreiben, um die Wohnung zurückzubekommen, aus der er rausgeworfen wurde. In der Hoffnung, ein Gemälde zu verkaufen, streift er durch die Straßen, Clubs und ultrahippe Subkultur im Manhattan der Post-Punk-Ära. USA 1981/2000 | Regie: Edo Bertoglio

Mehrere Röhrenfernseher zeigen Videos in einem dunklen Raum, in dem blau beleuchtete Podeste stehen.
Mehrere Röhrenfernseher zeigen Videos in einem dunklen Raum, in dem blau beleuchtete Podeste stehen.